At Takamichi Hair, we’re lucky to count some of the most talented hands in the industry among us. One of those belongs to Tina, whose love of precision cutting began in the world of Vidal Sassoon and has led her to become the long-trusted personal hairdresser to none other than Rosamund Pike.
Tina has been cutting Rosamund’s hair since she was 17. Over the years, her work has shaped some of Rosamund’s most iconic roles—from the icy perfection of Gone Girl to the razor-sharp polish of I Care a Lot, both of which earned Tina awards and praise behind the scenes. Today, Rosamund continues to wear Tina’s work in two upcoming films, including Netflix’s Ladies First and a new project directed by Guy Ritchie. This summer, Tina is already dreaming up the look for Rosamund’s turn on stage in London’s West End, in the play Inter Altia.
But what unites all of these looks? The bob—a cut that Tina calls both a foundation and a forever.
We sat down with Tina for a quick Q&A on the cut she’s spent decades mastering.
Q: What are your thoughts on these particular styles?
Tina: I love any bob in any length. It’s a timeless classic that can suit everyone—provided it's cut with true attention to texture and suitability. There are so many ways to approach a bob, which is why a thorough consultation is essential. Lifestyle, style, and physical features all play a role.
Q: Which version requires the most frequent salon visits?
Tina: If you want to keep your bob sharp, every 6–8 weeks is ideal. That said, a well-cut bob won’t ever look bad—even as it grows out, it holds its shape with grace.
Q: Are you getting many requests for bobs in general?
Tina: Absolutely. I get a lot of requests, partly because of my Vidal Sassoon foundation, but also thanks to my Instagram—and yes, working with Rosamund has definitely put my work on the map.
Q: Who typically asks for a bob?
Tina: Everyone. The bob is a truly universal cut. Any age, any background, any ethnicity—it works. Even boys are wearing them again. It crosses all lines of life and identity. It’s timeless, but also constantly evolving.
Q: Why do you think the bob keeps coming back?
Tina: Because it never really leaves! It’s always present in one form or another. It adapts with the times without losing its character.
Q: How challenging is it for a stylist to execute a bob well?
Tina: The pure, classic bob is the foundation of all bobs—and it’s also the hardest cut to execute. It takes practice, patience, and mistakes. Two clients never have the same hair or head shape, so while your technique must be consistent, you also have to adapt constantly.
In drawing, they say a perfect circle is the hardest shape to create. The same is true of a bob. You don’t really learn it from a doll head—it’s a cut you learn through blood, sweat, and tears. But once you master it, you gain the freedom to create endless variations.
Q: Does it require a high degree of precision?
Tina: Absolutely yes. Precision is everything.
Tina in action.